![]() The Two Towers found the members of the Fellowship scattered, but no less determined. The Fellowship of the Ring was broken at the end of the first film. ![]() Men are granted respite the Elves, peace hobbits, wisdom-and the Ring is granted its just fate: destruction. ![]() Ushering in a new dawn of peace and unity, Shore grants the surviving cultures Fourth Age themes that maintain the aesthetics of each society, but which cultivate newly enlightened ideals. In the end, Middle-earth survives the War of the Ring to enter its Fourth Age. Heeding its master’s call, the Ring has united its characteristics: Shore’s three principle Ring themes-History, Seduction and Evil-now impact each other directly, intertwining contrapuntally or pulling at melodic contours to form new lines, exposing the Ring at the dangerous height of its wicked promise. The Ring’s long journey to Mordor is nearing completion. These two lines, heretofore heard in isolated statements, are brought to the fore in The Return of the King, assuming lead roles in the breaking war.Īnd yet it is the Ring itself, that slim band of gold that has become the focal point for all Middle-earth, that undergoes the most profound and disturbing musical fusion. Isengard’s metallic fury must meet its wrenching demise, but not before scraps of its rhythmic and melodic gestures migrate to Sauron’s domain and join with Mordor’s twisted themes, which are consolidating into their own terrible apotheosis.Ĭombating Mordor’s rise, the two kingdoms of Men summon their might-Rohan by aligning itself with Nature’s Reclamation, Gondor by calling upon the two grand themes established in The Fellowship of the Ring, the Realm of Gondor and Minas Tirith. The Elves’ themes must bestow their final melodic gifts upon Middle-earth before receding into the West. The Fellowship theme, after forming then breaking, must draw itself to a newfound level of heroic focus as the Company reaches Mount Doom.
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